《最後的科學怪人》是由知名导演Takeshi Kawamura 执导的一部科幻片，Akira Emoto 等倾情出演，该片讲述了： This 1992 Japanese film tells the story of a scientist who sets out to crea te the new "s uper Adam and Eve", humans who cannot be c ontrolled by their emotions. Of cours e, the end result it not exactly what th e good do ctor expect s. comm ents from i mdb: This mo dern tale of an attempt to b uild a creature is one of the b est "ho rror" films ever made , even if its not a ho rror film but something el se entirely. Cert ainly its on my short list of all time gr eat films. Th is film was introduced to me by someone who told me "I have this film that probably one of the best fil ms you&# 39;ll ever se e. It wi ll move you and touch you and make you think, but if I told you what it i s and tol d you how its d one you will think its the stupidest thing on the face of it and you won't watch it." Int rigued I a sked what did he mean, and he sa id, "We ll its a Frankenstein story, wit h a very g oofy so rt of edge, but wh ich uses it to its a dvanta ge." My ears perked up, and I bei ng a trusting sou l took the tape and watch ed it. I was blown away. The plot c oncern s a mad s cientist attempting to make a ne w Adam and Eve in the wake of a suicidal plague that is ravagi ng the world. Locked up in his lab hi s experiments go differ ently then either h e or we expe ct. Some of it is s illy (The bolts in the neck, the w restling moves...), all of i t is touching a nd thoug ht provoking. I can no t reco mmend this movie enough. If yo u are will ing t o ta ke th e film on its terms and allow it to tell its story then I urge you to seek thi s film out and see it. This is an undi scovere d gem that wil l stay with you forever. 15 out of 10 and then so me. 10/10 Also known as ";The Last F ranke nstein", this is an ex traord inary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's nove l as a mere launching pad for an exploration of subjec ts as di verse and fascinatin g as t he nature of lov e, desire, suicide, mass hypnosis, sex, alienation and jealo usy. And though the film i s dense with subtext, it is also stunningly pho tographed and rich in atmosphere and detail. The performances are all amazing and Kawam ura's sensitive handling of the strange, delicate relationship s betw een the ch aracters resu lts in an emotionally ch arged, angs t-rid den tragedy . The scenes of the confused, troubled monster h urtli ng through a fog-shrouded forest at n ight are memor able and stri king, as is a brilli ant ho me movie- style montage of th e film9;s more cur ious characters enjoying a precious afternoon at the beach. Kawamura c reates resonating visual poe try of horror and sadness barely sighted since Todd Browning 's classic "Fre aks&quo t;. Intelli gent, emotional, tragic and real, this is an absol ute gem. 9/10 安画轻叹了一口气，“她在我的面前，从来没有放开过，哪怕喝水，也小心翼翼 地只沾个唇。她和夏 正明确关系以来 ，表面上 ，纯阳宗是得了丹堂的一些照应 ，但是，以她和夏正的 关系，如 果有心，元 一百灵丹与骷髅蝗的真正关系 ，我觉得，完全可以弄来。”
