CLEVELAND, Ohio — The Austin City Limits (ACL) Music Festival is making up for this year’s canceled event with a weekend of archival footage, running Friday through Sunday, Oct. 9-11, via ACLFestival.com and the event’s YouTube channel. Performances — including some filmed for the “Austin City Limits” TV show — include Paul McCartney, Billie Eilish, Willie Nelson, Radiohead, LCD Soundsystem, Phish and many more. Matthew McConaughey, meanwhile, will host two “Make Change” sessions exploring social and community issues.
• The Who’s new YouTube series showcases archival footage from benefit concerts for frontman Roger Daltrey’s Teenage Cancer Trust, showcasing Ed Sheeran on Thursday, Oct. 8, Muse (Oct. 9), Paul McCartney (Oct. 11), Pulp (Oct. 14), Noel Gallagher (Oct. 15) and Them Crooked Vultures (Oct. 16), all at 3 p.m. and free. The series runs through Oct. 18.
• Nick Cave will be joined by co-composer Warren Ellis, director John Hillcoat and photographer Polly Borland for a listen-along and Q&A about the soundtrack for the 2012 crime drama film “Lawless” at 5 a.m. Friday, Sept. 9, via nickcave.com/badseedteevee.
• Elvis Costello will premiere a video for “Shut Him Down,” one of three new songs he’s written with trumpeter and Steely Dan member Michael Leonhart at 3 p.m. Friday, Oct. 9, on Quincy Jones’ QWest TV Facebook page and YouTube channel.
• Mostly quiet since the 2017 suicide of signer Chester Bennington, Linkin Park regroups at noon Friday, Oct. 9, to celebrate the 20th anniversary of its debut album, “Hybrid Theory,” and the release of special deluxe anniversary packages. The five group members will sit for a Q&A with fans via watch.linkinpark.com, followed by the world premiere of footage from a 2002 Projekt Revolution Tour concert in Las Vegas. A second showing takes place at midnight. Tickets are available via linkinpark.com,
New Singers Join Arizona Opera’s Arion Roose Pullin Young Artist Program.
On October 5, 2020, I listened to Arizona Opera’s Studio Spotlight Series online concert held in the newly named the Shoshana B. and Robert S. Tancer Plaza adjoining the company’s building on Central Avenue in Phoenix. General Director Joseph Spector greeted the tiny audience of donors and the much larger online assemblage with remembrances of the company’s former general director, Joel Revzen, and a video about the late chair of the Arizona Opera Board of Directors, Robert Tancer. Only the speaker was unmasked.
Red and white flowers on either side of a light bar marked the stage area as soprano Caitlin Gotimer, in an afternoon-length dark dress, strode in front of the audience to sing the “Jewel Song” from Gounod’s Faust with pianist Robert Bosworth. Gotimer would have spent this past summer singing at the Glimmerglass Festival in northern New York had it not been for the pandemic. She showed her character’s surprise at seeing the casket of jewels and as she sang “ce nest plus toi” “that is no longer you” her expression showed distinct pleasure in seeing a bracelet grace her arm. She sang with clear coloratura that included a fine trill at the beginning.
Wearing pants to indicate she was singing a masculine part. Mezzo-soprano Michaela Wolz sang “Parto, parto, ma tu ben mio” (“I leave, but you my love”) from Mozart’s La Clemenza di Tito (“The Clemency of Titus”). In this difficult aria, Wolz brought out her character’s emotional state and finished her presentation with fast flourishes of coloratura. Baritone Rob McGinness offered the aria “Vi tak Pechalny” (“You are so sad”) from Tchaikovsky’s The Queen of Spades, and his resonant voice glinted with golden tones.
Caitlin Gotimer returned with “Tu che di gel sei